Min Ji-suk runs a "ticket bar"where customers can purchase tickets for certain "services"in the town of Sokcho in Gangwon-do. She hires Miss Yang (Ahn So-young), Miss Hong (Lee Hye-young), and Se-young (Jeon Se-young) through the employment agency. Miss Yang and Miss Hong, who are well experienced in this type of business, are used to accepting propositions from customers. But Se-young, who is dating a college student named Min-su, rejects all requests for sexual favors. When Min-su professes to having problems with his tuition and finances, Se-young reassures him that she will procure the necessary funds for him. When the bar's clientele begins to dwindle because of Se-young, Ji-suk reprimands her severely. Se-young develops a close relationship with a Captain Pak and even allows him to sleep with her. She asks Captain Pak to find Min-su employment on a boat, but when Min-su comes to Sokcho for his new job, he sees how Se-young has been making her living. Shocked, he turns his back on the job and leaves. When he eventually returns to Sokcho, he scathingly denounces Se-young's morality and severs their relationship. Decades ago, Ji-suk had stumbled into the bar business in a desperate effort to support her husband, who was serving time in prison; she later left him voluntarily out of shame and moral degradation. Concerned that Se-young will end up with the same fate, Ji-suk asks Min-su to meet with her. She begs him not to abandon Se-young, but he flatly refuses. Ji-suk reacts by pushing Min-su into the sea, and suffers a mental breakdown that lands her in a psychiatric institution.
“The thing about animals is that the best time to find them is when you’re not looking for them” ❤️
old fashion, stereotype but still selling
听歌脑补的剧情都比这入时，是泰鸽又负我吗！
从小就看好莱坞的家庭片，其实这样一成不变的状态也很好，就是很温暖的样子。挺舒服的！
无意看到的，对书有很深的记忆，电影也不错呀，评分低了点
难看到我眼皮抽搐。人和狗毫无感情基础，狗做的毫无特点，强行把孩子成人化，处处流露着虚假僵硬和经费不足的单薄。白厅到底为什么要把灵魂卖给美国人，离谱。
适合孩子看，太政治正确了，剧情有点无趣。成长一定要搞得世界一团糟才可以吗？
实在是特效太假，或者是太红了，狗子的可爱感都降低了。故事本身也是太传统美式了，无聊的人物家庭背景设定强行塞进一个故事中让它变满，最后再来一段风格过于明显的ted演讲，食之无味啊
人物形象情节内容模式化，总有一个科技公司反派，一帮不同人种的好友，最后一通演讲解决所有问题，因为这的确是童话。反复问自己，当我看童话故事时我期望得到什么，我总不能期望从童话故事里得到复杂的隐喻与深刻的剖析，一个能做到这一点的童话故事，固然好，但做不到，那就把这个故事留给涉世未深的小朋友，他们会为大红狗和它的朋友们欢呼。
挺可爱的 画面明亮 就是10岁以上看会觉得有点幼稚（PS：做土豪真好
只有餐勺打架稍微有点意思，没很大能力的话小朋友的绘本果然还是stay绘本的好吧……
低龄向，为了共和的歌来刷一刷。（其实今晚本来想看咒怨，但因为吵了一架心情不佳临时点开这个看起来很快乐的电影..也确实很欢乐，真的好想回到小时候。我也想变得更强大）
挺温馨的，小演员不错，现在都喜欢儿童做主角的电影了嘛
开头的设定把我期待值拉满了，老先生的流浪动物收容所简直是梦境王国xxx结果看到反派出场，突然意识到后面剧情逃不脱低配版帕丁顿熊了🥲果不其然...人物感情转折啥的真的没扑够。作为儿童向勉强合格吧。小白厅中间有一段演得回归本性给里给气xxx
虽然雷佳音演的很好 但作为原著党我真的不能接受许愿是个中年大叔啊… 话又说回来 为啥要改编那么多？照着原著拍不香吗 我一边看一边内心就是why …如果不是执着的书粉还是可以去看一下的
从什么时候开始人们惧怕帮扶老人？
雷佳音演这类角色不是挺好的嘛，感觉很生动啊，而且几场鉴宝用视觉化的手法来表现，门槛降低了，普通观众易懂易接受，没必要总是摆弄专业知识，设立认知界限，个人觉得是成熟的商业电影就应该做贴近观众的改编，没啥不好的
如果拍成剧集会不会展开些。感觉太仓促。有看舞台剧的感觉。
比较无聊，还好孩子们都很喜欢。
年代感一般。传奇色彩很浓。电影的最大价值在于不用把背景放到民国或者泰国之类。但国产片最大悲哀是当下的背景不能有所谓负面的东西，就好像最近要在电视剧里写一个乞丐（还不出镜）都不被允许，是说“抹黑我们的城市”，原本是给乞丐送快餐反映正能量的，最后乞丐被换成是清洁工，真是讽刺。
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