Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.
The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).
The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.
The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.
Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.
Roger Philip Mellor
网大里也算得上用心的作品，安志杰奉献了精彩的演出！女一狠劲可以，但是和她戏里的老公一样太爱装X，以至于过于中二。扎昆手下两大悍将的口音听的我这个出戏……
剧情完全经不起推敲，主要看点还是动作戏，疯婆子人设很讨喜。
跟儿子女儿一起看的，亲子时间打发时间，还可以。儿子跟女儿都看得开心😁开心
呵呵呵，身残志坚已经无法形容了。。。瞎了都能单挑战狼。。。编剧真敢写，导演真敢拍，盲人拆弹专家，小学时看的拆弹情节2022年还拿来用真的侮辱智商，红蓝线剪一根拆弹老传统了。
某些桥段又山寨又装逼，看到汉尼拔面具时，再也忍不住了！
感觉挺好看的 里面的小东西长得都很可爱 而且个性鲜明，还有那个小狗也不错，当知道小狗是反派的时候很惊讶，但是也没有觉得离谱，应该可以说是意料之外情理之中吧，感觉剧情很紧凑，很特别，跟别的电影不大一样，个人认为挺好的看的，推荐！
十一可以带孩子消费的一部动画片，结局有反转
盲铁侠和疯暴女怒破人贩集团。情节虽然太扯，但是绝对打的过瘾，这女演员眼神太赞了。不错
虽然很喜欢安志杰，但是他太惨了，也没啥好剧本。。。这部剧bug真的太多了。。。打斗还不错
而且这些演员们演美剧那种题材完全不违和！(大多国产影视演大片都没西方演员自然，不知为何)到底是哪里找的这些还在拼命努力演戏还演技在线的演员！！
哈哈哈哈笑死了菲拉萌真的好可爱哦，我抱起来就是一个亲亲和串串( ˝ᗢ̈˝ )不过妹妹虽然很乐观也很厉害很幸运，最后也挺喜欢她的，但是太熊了真的。
故事是没什么新鲜的地方，但也没出大差错。安志杰演的挺卖力，杨杏的疯批女杀手还蛮出彩的。
希娜真的是亮点人物，可惜演的有些浮夸了，不然一定能产生小丑女出场的惊喜感
这部电影还行，制作的画面很和谐很温暖，是一部不错的作品。
看得出，片方花了钱了，拍得挺烂，各种不接戏。说真的，挺烂的，以后别拍了
还行吧 在宾馆陪儿子随便看看的 他还挺喜欢 还笑来着 我也看一乐 看到一半发现里面的中国元素有点多 才知道是中国动画片。制作得不错呢 就是中间那段合唱可以再更优秀一点 有点糙～
女反是想模仿哈莉奎茵？算了，剧情懒得吐槽，安志杰还是挺帅的，没大红可惜了。
影片中还有很多历史小知识
大多围绕甜甜圈展开，，很有那种搞笑包袱，推荐推荐观看！
这部电影还行，制作的画面很和谐很温暖，是一部不错的作品。
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