The Polish doco for the BFI’s Century of Cinema distinguishes itself from all the others in the series by being the only one not to have any film critics, academics, directors, etc providing a commentary. Instead it takes the refreshing route of having ordinary people of all ages talking about what’s special to them about movies – so we get some old folks describing their first trip to the cinema when a lot of people didn’t even know what a film was, memories of what it was like to go to the movies as children, teenagers, and adults before, during, and after WWII, and especially the key scenes from films that have made lasting impressions upon them (not unexpectedly, Wajda’s KANAL strikes a nerve), which are shown in accompaniment, so that it becomes the interviewees who ultimately decide what’s shown in the doco. This kind of stuff is what the ‘100 Years of Cinema’ celebration is really about.
这几年蜡笔小新的剧场版一部比一部敷衍,生硬,幼稚!完全没有了以前的内涵,现在的剧场版感觉就像生搬硬套一样,毫无新意。
内山昂辉病娇别扭专业户了嘛?经费爆炸的特别篇啊
第一次打十二鬼月,第一次看主角团打着这么难堪。合集也打call
又是一部拿TV版剧情剪辑起来,糊弄观众的所谓"剧场版"
和隔壁某危机相比,同样是被咬就会变异的设定,但是鬼灭却以探索人性为内核,比起前者那只会突突突的jump scare,后者简直高出了一个珠穆朗玛峰的高度。
La Famille Bélier 美国版本
青春是什么?是允许犯错,是接受不完美,也是永不放弃。最后的马拉松太热血了,泪目了
非常有仪式感地在第二季来临之前把总集篇都重温了…蜘蛛篇是第一季的高潮了…经费有在烧…
挺好的,情真意切,平和动人。但又好像不是最佳影片级別的好看
感觉看现在的蜡笔小新剧场版 总有一种 cp感 小新和风间hmmm。
这位小朋友对家庭的理解出了一些偏差/猪猪超可爱!
当“阳光小美女”遇见Glee,非典型家庭与青春逐梦对撞出的温柔天籁,难怪能横扫圣丹斯、被苹果天价买走版权。CODA=Children of Deaf Adults,成长于聋人家庭的健听一代。由于从小充当家人与外界沟通的桥梁,他们承担了超出年龄的重担,在有声与静音的世界穿梭——直到开始追逐自己的梦想与生活。全片最感人的可能就是父亲摸着女儿音带、“听”她唱歌的那一幕了,泪目。
蜘蛛山的设定真的很不错
做一些无意义的事也是青春的一部分!热血到我了,爆哭
给人印象最深的是累的“妈妈”被砍断脖子的那一刻
反正还是被这种烂俗的桥段感动!蜡笔小新就是最可爱的!
感觉看现在的蜡笔小新剧场版 总有一种 cp感 小新和风间hmmm。
用尽全力去感受
柱的出场让世界观再次大开。这次的剪辑毫无割裂感。配乐、动作保持了一贯水平,可以打到8.5分。
确实是可以媲美2000s剧场版的佳作。但后期侦探解密还是差点意思
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