The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
漏洞太多,前段节奏太慢!但悬念确实一直都在,演员表演也到位,所以,还是跟随剧情看的下去。
枪戏太没意思了 最后一段的演技很棒 上去下来的一推吓死我了哈哈哈
萨瑟兰老了还挺帅 有他爹那意思 电影就那么回事吧
Witness the rise of an army soldier as he realize's his destiny and comes to terms to becoming India's first super soldier created to combat terrorists as he fights his inner demons and outer enemies
另外我看的120分钟不到,这个里面写怎么有130分钟。。。
"回家是記憶",在肉體和心靈上所受創傷仍舊被作為消耗品隨時棄之以及相互自相殘殺上也是暗喻了老兵群體和大阿公之間的不平等關係和衝突是內耗的實質,死亡和不得永生的悲慘下場是可預期的結果。
着实还是中年危机惹的祸呀...剧情台词挺考究,整个格局比较沉重压抑,也预示着前方的路充满阴霾,不同于推翻阴谋的孤胆英雄,这确实是个沉重心塞的故事。派恩这眼神越来越像本尼西奥德尔托罗了
几段枪战有点谍影重重的意思了,但整体剧情冲突不够强烈,缺少情理之外的反差
在新冠疫情的当下,该片有着超越动作片的价值。疫苗,病毒,科学家,生意。
故事情节松散经不起推敲,人物刻画稀烂,动作场面一般,甚至枪战场面都让人提不起兴趣。克利斯的表演木讷、动作僵硬而且导演一直刻意躲开他的腹部拍摄,不知是受伤了还是减肥失败,总之这部电影也就2.5分。
电影里的美国人去外国杀个人比你去邻居家里偷个菜还简单,外国政府也不会追究。
我愿称之为:印度乞丐版肉身机械战警/钢铁侠。
我愿称之为:印度乞丐版肉身机械战警/钢铁侠。
这种片最大的硬伤就是只要把主角说成是对的,其他的一切都会为此而扭曲。
突然 头疼 一只手抬起来了 哈哈哈
清明假期以烂片结尾,好片越来越难寻。动作片连动作戏都不好看,真是药丸。
爱情,亲情都有,印度版《升级》《德里陷落》,打斗虽然少,但还行。剧情挺老套的,但不算无聊。
克里斯派恩啊,拍完一触即发你还不长教训吗,唉
前面铺垫略长,直接卡卡干就行了。最后队友在主角救2次之后还是挂了,太惨了。本可以不死的。任务完成,强行杀人,光头老板也是绝。就耗材是吧….
“一死了之很容易,但要活着很艰难。”餐桌上其乐融融的闲聊,几记枪响打破短暂的平和。提到病毒和疫苗很难不联想到当下的状况。
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