Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
好热好尊好纯爱，只是因为有颜色有声音还会动就全我都哭了，ED余韵也特别好，好热好尊好纯爱
是那种会遗憾不能在大荧幕上见证经费燃烧的电影。对波竟然左边赢了！
觉得很一般呀，讲的应该是TV版前面的剧情吧。很老套的剧情，『五条悟』近乎没什么存在感……
看来作品在北美还是挺有影响力的，周一晚上场次都有很多观众。电影对于我这种对于原作毫无概念的观众十分友好，在文戏相对疲软的情况下，激烈的动作展开真的是往爽片发展的节奏，特别是独具特色的分镜一下子就又把自己拉回了曾经热爱的二次元热血。现在想来霸权主义下的好莱坞怎么会理解这种不可知的“纯爱的力量”，这就是Otaku的浪漫啊！百鬼夜行的部分再多些镜头就好了，总体来说观影体验可以让我有兴趣把第一季补完。
但说真的这么一看这剧情还蛮俗套的。
一脉相承没有跳脱出去的感觉，但是也有剧场版的通病节奏太快，很多人物一带而过，故事也不够清晰完整。最终大战竟是“纯爱”与“大义”对波，连压轴登场的玉藻前都没展示一下技能就没了，有点遗憾。
当初芥见下下是先画的零卷《东京都立咒术高等专门学校》，看到漫画热卖，才画的《咒术回战》。本传的悠仁感觉几乎完全照抄前传的忧太，都是身怀潜力，都是被判死缓，都是五条悟力保的爱子。
8分。在北美看到的剧场版，来看的观众还不少。虽然是0传，但对于路人群体还是需要一些接受空间。画面很好看、人物造型都非常不错、打斗也做的很棒，但剧情对于没看过动漫的人来说还是有些突兀。
平庸媚粉作，所有的人物都扁平化了。男主开朗版碇真嗣加上输出全靠吼的艾伦耶格尔……拧巴又无辜，成为东专学生和消除罪孽间的强烈矛盾居然直接无视，碇真嗣快进到『终』去了，总之一百个不适……失去以往借助长篇塑造的仔细。"友情"是升级打怪一样攻略前辈。禅院愤世嫉俗，浑身带刺，我都觉得在丑化她了。最后把五条的美貌和强大，娜娜明，东堂的打戏圈钱。累了，武打很有mappa特色，但是没有反复看的必要。文戏一塌糊涂，显然没有补充原作不足，无脑爽文。对夏，完全不能理解这种灭世的想法。他是边缘化的人物，"只是想做"这种理由没有性格依据，脑残。善恶两面简单化，矛盾叙述模糊化，所谓"爱情"只是意淫。
俗 堪称AU的EVAＸHP 但我至少知道纯爱战神是啥意思了
看过漫画，剧情其实很一般水准
我是哭死过去了，我闺蜜一纯纯的夏推是直接死过去了，晋江小熊你没有心
剧情比较单薄和套路，但是……打戏看得太太太过瘾了！最后结尾热血到我眼泪都在眼眶打转
就是说“純愛だよ”那里靴微尬到了hhhh以及日影最近音乐的滥用真的很严重啊…毫无意义的煽情，强行高潮。其实这个故事没有这些也可以的真的😅
啊，五条悟的眼睛实在是太美了！！！
打得挺好看 以及 原来夏油是二刺猿格林迪沃
CTNN 不知道JJK讲啥，一部剧场版交代清楚！
本来觉得乙骨是阴暗病娇款，结果是锭真嗣第二。五条悟最后对夏游杰说的那句应该是“欢迎回来”吧。
男主的成长线莫名其妙的；和女朋友看的第14部
爱才是最扭曲的诅咒还有乙骨的我们是纯爱真是金句。
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